Tag Archives: beat sheet

Writing loglines

Wizard of Oz logline – Transported to a surreal landscape, a young girl kills the first person she meets and then teams up with three strangers to kill again.
Awesome, in a wrong yet funny way.

Right under ‘title’ on Blake Snyder’s Beat Sheet, there’s a little box called ‘tag line’ (but should really be called ‘logline’), which, frankly, used to scare the whatsits out of me.

What’s a logline?

A logline is your short story, novel or epic fantasy saga, summarised in a single sentence. It’s your pitch, your calling card, the line you pull out whenever you’re asked what your book is about.

Why do you need one?

Because, if you’re standing in an elevator and someone says they’ll give you a million dollars if you can tell them what your book’s about in ten seconds flat, what do you say?

It had better not be ‘umm’.  Continue reading

Blake Snyder's Beat Sheet and Scrivener

A screenshot of my novel ' class=
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I love the beat sheet’s word count per beat.

About the same time I revisted the BS2, Jami Gold posted an excellent article about using beat sheets with Scrivener. What I liked most about the article was the idea of using the target word count for individual chapters and scenes to lay out the beats.

I don’t know about you, but when it comes to word counts, I find big numbers like 100k pretty intimidating. One of the beauties of the beat sheet is that it breaks down these numbers into manageable chunks. For a 100k-word novel, however, some of those chunks are still 25k words, so I took the idea one step further, with Scrivener.  Continue reading

Blake Synder's Beat Sheet, with template

Cover of Save the Cat by Blake Snyder
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If you want to understand how the beat sheet works, check out this book.

Best for those outling a new work.

What’s awesome about it

  • The word count for each beat

What’s not-so-awesome

  • It’s daunting, especially when your manuscript is half-written
  • No capacity to outline subplots

The awesome

When I first came across Blake Synder’s Beat Sheet (BS2), I was half-way through the manuscript for Hero and the word count for each beat made me to blanch. The idea of trying to shoehorn my (at that point in time) pantsed story into all of those little boxes (opening image, catalyst, black moment) with their prescribed word counts, was more than my brain could take, but when I went back to the BS2, a new story in mind, they appeared as godsends.  Continue reading

Revising Hero and the Pantser's Beat Sheet

A screenshot of the 7-point plot system
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The revision of Hero, using the 7-point plot system

Just after Christmas, I finished the first draft of Hero and since the New Year I’ve been hard at work on the second draft. Dan Wells’s 7-point plot system (aka the Pantser’s Beat Sheet) has been incredibly helpful during the revision process – particularly the layering process (explained in part 5 of Dan Wells’s lecture, available on YouTube) – and it too has undergone a revision. Continue reading

Beat sheet to the rescue, pantser-style

The 7-point plot system, applied to Hero-Fink.
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The 7-point plot system really helped me to nail my plot.

A few weeks ago, I was at the half-way point of my first draft and having trouble with my plot. After ten months of steadily pounding away at the keyboard and chipping at the word count, I was increasing asking myself “what the $#*! happens now?” Although I knew what was going to happen at the end of my story, I didn’t know:

  1. how I was going to get there, or
  2. how all of my subplots were meant to tie in.

And frankly, it was driving me batty. Continue reading